www.rhiannonheld.com<\/a>.<\/p>\n\n\n\nI have vivid memories of the first year of my undergrad college experience, when I was struggling to pick a major and figure out what kind of career that would allow me to have. I was subjected to a lot of helpful advice from my parents and other miscellaneous adults. It doesn\u2019t really matter what major you pick, they\u2019d tell me, because you\u2019re not primarily learning facts. You\u2019re \u201clearning to learn,\u201d or \u201clearning to think critically.\u201d I scoffed at the time, but of course they were right.<\/p>\n\n\n\n
Years later, in the middle of my graduate degree, I had that experience again, through Odyssey. I was a lot like a \u201chigh-schooler\u201d of writing before I arrived: I knew some facts, and a few tricks. I was one of those who arrived at Odyssey with experience in the writing workshop critique format. Once a year at a convention for a several years, I\u2019d sat quietly and received critiques on my work from a couple established writers. I thought I was pretty good about taking their advice, too: if someone said I need more sensory details, I’d add more sensory details … in that scene, in that story. What I was missing was the bigger picture. What elements of structure or character made any story or novel great, not just the one in my hand? What larger themes drove my work? What themes did I want to drive it?<\/p>\n\n\n\n
That\u2019s what Odyssey and Jeanne Cavelos gave me. Looking back, I wouldn\u2019t tell you that Odyssey taught me plot, or Odyssey taught me dialogue. It did, of course, very good plot and very good dialogue, but more importantly it taught me to think about writing, and to learn about writing. It gave me a fundamental mindset that has helped me learn after Odyssey, and keep learning even now.<\/p>\n\n\n\n
One example illustrates that best. I went to Odyssey having written short stories, so of course most of the particular facts I took away with me were about the short form. At one point I asked Jeanne if maybe I should be writing novels, because that seemed like where most people were getting published. She told me that I shouldn\u2019t write a novel until I just couldn\u2019t not<\/em> write it anymore. So I didn\u2019t. I wrote short stories for two years after I finished Odyssey, got a few published, and then I started my first real novel. And that\u2019s what I sold. Not just that novel, but also two others, to Tor. (The first, Silver<\/em>, is currently estimated to be out in 2012.) Odyssey gave me the thinking and learning skills to succeed years later with something I\u2019d never imagined I\u2019d be doing when I attended the workshop.<\/p>\n\n\n\nThe other important aspect of Odyssey is all the other people. Faced with so many people pointing out the same weakness in your work, people you know are in your same situation, and rooting for you just as much as you\u2019re rooting for them, you can no longer fool yourself into ignoring their advice. There\u2019s another hard-to-define yet invaluable thing that Odyssey gave me: networking. I\u2019m a very shy person, and so meeting new people at conventions and the like has never come easily to me. Odyssey was an injection of new, wonderful people into my world, and now they\u2019re a community that has someone there to catch up with at nearly every convention I go to. Like having learned to learn, that community stayed with me long after my six weeks ended, and I\u2019d gone back to my daily life across the country.<\/p>\n\n\n\n
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